or
Bibliography for:
Approved 17 Mar 2026

Audiovisual Perspectives (GMN3EC)

V3QKA (Spring 2026, 100%, Day, Normal, Falun, Round 1, ORD)

Literature

  • Bateman, J. A. (2013). Multimodal Analysis of Film Within the Gem Framework. Ilha do Desterro, 0(64), 49-84.
    Journal
  • Boenn, G. (2008). The Importance of Husserl's Phenomenology of Internal Time-Consciousness for Music Analysis and Composition. International Computer Music Conference, Proceedings of the International Computer Music Conference, 1-7.
    Journal
  • Bregman, A. S. (1993). Auditory Scene Analysis: Hearing in Complex Environments. In S. McAdams, & E. Bigand (Ed.), Thinking in Sound: The Cognitive Psychology of Human Audition (1st ed., pp. 10-36).
    Chapter in book
  • Clifton, T. (1983). Music as Heard: A Study in Applied Phenomenology (1st ed.). Yale Univ. Press.
    Book / Anthology
  • Cook, N. (2001). Theorizing Musical Meaning. Music Theory Spectrum, 23(2), 170-195.
    Journal
  • Cutting, J. E. (2016). Narrative Theory and the Dynamics of Popular Movies. Psychonomic Bulletin & Review, 23(6), 1713-1743.
    Journal
  • Cutting, J. E. (2005). Perceiving Scenes in Film and in the World. In J. Anderson, & B. Fisher Anderson (Ed.), Moving Image Theory: Ecological Considerations ( pp. 9-27). Southern Illinois Univ. Press.
    Chapter in book
  • Eidsvik, C. (2005). Background Tracks in Recent Cinema. In J. Anderson, & B. Fisher Anderson (Ed.), Moving Image Theory: Ecological Considerations ( pp. 70-78). Southern Illinois Univ. Press.
    Chapter in book
  • Ferencz-Flatz, C., & Hanich, J. (2016). Editor’s Introduction: What is Film Phenomenology?. Studia Phaenomenologica, 16, 11-29.
    Journal
  • Gibson, W. J. (2002). A Theory of Direct Visual Perception. In E. Thompson, & A. Noe (Ed.), Vision and Mind: Selected Readings in the Philosophy of Perception ( pp. 77-89). MIT Press.
    Chapter in book
  • Gripsrud, J. (2000). Mediekultur, mediesamhälle (1st ed.). Daidalos.
    Book / Anthology
  • Grodal, T. (2006). The PECMA Flow: A General Model of Visual Aesthetics. Film Studies, 8(1), 1-11.
    Journal
  • Hayden, H. (2016). Om 'Bildens retorik'. In R. Barthes (Ed.), Bildens retorik ( pp. 9-23). Faethon.
    Chapter in book
  • Hermansson, J. (2020). Adaptations of Adulthood: Toward a Model for Thematic Rhetorics in Adaptation Studies. In B. Kaklamanidou (Ed.), New Approaches to Contemporary Adaptation (1st ed., pp. 173-192). Wayne State University Press.
    Chapter in book
  • Jewitt, C. (2009). An Introduction to Multimodality. In C. Jewitt (Ed.), The Routledge Handbook of Multimodal Analysis (1st ed., pp. 14-27). Routledge.
    Chapter in book
  • Sobchack, V. (2014). The Scene of the Screen: Envisioning Photographic, Cinematic, and Electronic “Presence”. In Carnal Thoughts: Embodiment and Moving Image Culture (1st ed., pp. 135-164). University of California Press.
    Chapter in book
  • Winters, B. (2012). Musical Wallpaper?: Towards an Appreciation of Non-narrating Music in Film. Music, Sound, and the Moving Image, 6(1), 39-54.
    Journal